We posed the dance workshop questioning the relationship between sound and the gestures that accompany this sound when it comes to saying it.

The practice with the participants allowed us to observe that through games and marked guidelines, coming from the methodology used in dance, where we dissociated the voice from the movement and vice versa, the transformation of both in amplitude and dissonance appeared. This allowed us to propose different proposals aimed at favouring this transformation in such a way that the result of the final improvisation was a dreamlike landscape sustained by the contrast offered by the word together with the non-representative movement, allowing an expression of dance, abstract but full of content and interpretation from the audience’s eyes.