Dramatised reading in the War and Theatre in the 21st Century Residency
Wednesday, 18 October 2023 , Olot
![Dramatised reading in the War and Theatre in the 21st Century Residency Dramatised reading in the War and Theatre in the 21st Century Residency](https://docs.llull.cat/IMAGES_22/whatsapp-image-2023-10-19-at-09.43.04.jpeg)
Dramatised reading in the War and Theatre in the 21st Century Residency
![](https://docs.llull.cat/IMAGES_22/whatsapp-image-2023-10-19-at-09.43.58-7-.jpeg)
![](https://docs.llull.cat/IMAGES_22/whatsapp-image-2023-10-19-at-09.43.58-6-.jpeg)
![](https://docs.llull.cat/IMAGES_22/whatsapp-image-2023-10-19-at-09.43.57.jpeg)
The virtual dramatised reading which was programmed as an open activity in the Faberllull Olot residency “Researching War and Theatre in the Current Scene” has broadcasted fragments of plays which deal with war. The texts are authored by playwrights from all over the world and with really diverse performing arts scenes both from Latin America and from Europe: Alonso Alegría (Boñognesi en Arica [Boñognesi in Arica]), Mafalda Bellido (Yo maté a Carmencita Polo [I Killed Carmencita Polo]), Pierre Delaup (Paquita!), Marcelo Leonart (50 años [50 Years]), Fernando Lorenzo and Alberto Rodríguez (Los establos de su majestad [His Majesty’s Stables]), Amaranta Osorio (Mapa [Map]), Manuel Molins (Bagdad [Baghdad]), Wajdi Mouawad (Incendios [Scorched]), Giuliana Mussi (Mi héroe [My Hero]) and Santiago Sanguinetti (Sobre la teoría del eterno retorno aplicada a la revolución en el Caribe [On the Theory of Eternal Return Applied to the Revolution in the Caribbean]).