For the theatre, she has written ARTHUR AND BÉRÉNICE ARE INSOMNIAQUES (selected by SUDCREA and read in Cotonou, Benin in August 2018), LE GUIDE ROUGE ET LA TENDRESSE DU GIBIER (read in Lyon in May 2018, Prix Autre chose the most possible for the puppet 2022), LES ÉTINCELLES (Abbaye de St Riquier residence 2020, permanent creation grant of the Ateliers Médicis and Young Summer Visitors Grand Est 2021) and DEESSES, I MAKE UP TO NOT CRY (ALT selection committee 2020-21 , Tête Noire Favorite Theater 2021, AAFA Selection 2021, La Pépinière Selection 2021, published in La Récolte #5, the text will be published soon by Théâtrales).
At the same time, Héloïse develops her directing gesture. In 2015 he won the National Student Theater Competition. In 2016, she is an associate artist of FITAO in Senegal. Héloïse develops her work in close connection with the territories she inhabits as a nomad. With a decidedly interdisciplinary approach, Héloïse leads cross projects with artists from music, movement and visual arts. She also collaborates as a playwright with theater artists.
During my stay at Faber, I will participate in the International Dramaturgy Project - Mediterranean within the framework of the International Program of the Tantarantana Theatre. Sent by the Chartreuse, I will question our relationship with the Mediterranean, probably crossing historical facts, exploring the history of our common languages (living and dead), and questioning our current imagination related to this Mediterranean which is a vector full of symbolism and politics.